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{"id":1726,"date":"2021-02-21T18:30:01","date_gmt":"2021-02-21T18:30:01","guid":{"rendered":"http:\/\/teletekstdergi.com\/?p=1726"},"modified":"2021-02-21T18:30:01","modified_gmt":"2021-02-21T18:30:01","slug":"ise-yarar-bir-sey-film-incelemesi","status":"publish","type":"post","link":"https:\/\/teletekstdergi.com\/ise-yarar-bir-sey-film-incelemesi\/","title":{"rendered":"\u0130\u015eE YARAR B\u0130R \u015eEY \/F\u0130LM \u0130NCELEMES\u0130"},"content":{"rendered":"\n
Bir yol hikayesi olan \u0130\u015fe Yarar Bir \u015eey filmi, insana hayat\u0131n i\u00e7indeki ya\u015famaya de\u011fer detaylar\u0131 ve o detaylar\u0131n \u00f6lmek isteyen birinin \u00fczerindeki etkilerini \u015fiirsel bir dille anlat\u0131yor. 25 y\u0131l sonra ilk kez mezunlar yeme\u011fine kat\u0131lacak olan Leyla ve kendisine \u00f6nemli ve zor bir g\u00f6rev y\u00fcklenen Canan’\u0131n yollar\u0131 bir tren yolculu\u011funda kesi\u015fir. Film, evlenen bir \u00e7iftin tren gar\u0131ndaki foto\u011fraf \u00e7ekimiyle ba\u015fl\u0131yor. Bir foto\u011fraf karesine s\u0131\u011fd\u0131r\u0131lan yeni bir umutla ba\u015flayan film, hayat\u0131n sonunu g\u00f6steren ayna ile bitiyor. Boyundan a\u015fa\u011f\u0131s\u0131 fel\u00e7 olan Yavuz’un, \u00f6lmek istemesi \u00fc\u00e7\u00fcn\u00fcn yollar\u0131n\u0131 kesi\u015ftiriyor bir \u015fekilde. Tren a\u011f\u0131r a\u011f\u0131r ilerlerken ge\u00e7ti\u011fi sokaklar\u0131, evleri ve o evlerin i\u00e7indeki hayat\u0131 trenin cam\u0131ndan Leyla ile birlikte misafir oluyoruz biz de. Bu bak\u0131mdan \u015fahane \u00e7ekim a\u00e7\u0131lar\u0131na sahip oldu\u011funu s\u00f6yleyebilirim. Film boyunca karga fig\u00fcr\u00fcn\u00fcn Leyla’y\u0131 takip etmesi, uzun y\u0131llar ya\u015fayan ve hep yolda olan bir hayvan olmas\u0131 bak\u0131m\u0131ndan anlaml\u0131 bir fig\u00fcr olmu\u015f. Yavuz’un evine kadar onu takip etmesi, filmin ba\u015f\u0131ndan sonuna kadar ayna fig\u00fcr\u00fcn\u00fcn de ona e\u015flik etmesi asl\u0131nda k\u00fc\u00e7\u00fck detaylarla filmi anlamland\u0131rm\u0131\u015f. Film boyunca Yavuz \u00f6lecek mi, \u00f6lmeyecek mi? diye sordurmuyor film, asl\u0131nda \u0130\u015fe Yarar Bir \u015eey \u00f6l\u00fcme ba\u015fka bir a\u00e7\u0131dan bak\u0131yor. \u0130zlerken insan\u0131 yormayan, su gibi akan bir film. Sanki \u015fiir kitab\u0131 okurmu\u015f gibi hissettim. Oyunculuklar da \u015fahaneydi.<\/p>\n\n\n\n
\u0130\u015fe yarar bir \u015fey senaryo ba\u011flam\u0131nda e\u015fsiz ve k\u0131ymetli bir film. Nezdimde bu filmi daha da k\u0131ymetli k\u0131lan ; Cortazar’\u0131n “Sar\u0131 \u00c7i\u00e7ek” hikayesini \u00f6z \u015fekliyle y\u00fcreklerimize b\u0131rakmas\u0131d\u0131r. Hikaye \u015f\u00f6yle; Bir g\u00fcn yolda bir adam , kendi \u00e7ocuklu\u011funa t\u0131pa t\u0131p benzeyen bir \u00e7ocuk g\u00f6r\u00fcr ve onu takip eder, ailesiyle tan\u0131\u015f\u0131r. Gel zaman git zaman \u00e7ocuk , adam\u0131n da \u00e7ocukken yakaland\u0131\u011f\u0131 hastal\u0131\u011fa yakalan\u0131r. Adam o hastal\u0131\u011f\u0131 yenip \u015fimdiye kadar ya\u015fayabilmi\u015f\u015fe de \u00e7ocuk \u00f6l\u00fcr. Adam, kendi hayat\u0131n\u0131n tekrarlanmayaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcp buna sevinir. Ta ki yolda sar\u0131 bir \u00e7i\u00e7ek g\u00f6rene dek. Sar\u0131 \u00e7i\u00e7e\u011fe bakar ve \u00f6mr\u00fc boyunca bir daha \u00f6ylesi sar\u0131 bir \u00e7i\u00e7e\u011fe rastlayamayaca\u011f\u0131n\u0131n fark\u0131na var\u0131r. \u0130\u015fte bu ba\u011flamda ya\u015fam\u0131n esas renklerini \u00f6l\u00fcm\u00fcn \u00e7izdi\u011fini anlat\u0131yor Cortazar. \u0130\u015fe yarar bir \u015fey bu y\u00f6n\u00fcyle sadece bir yol filmi de\u011fil, ya\u015fam\u0131n tozlu yollar\u0131n\u0131, ger\u00e7e\u011fin ta\u015f\u0131nda yal\u0131nayak gezmeyi , \u00f6l\u00fcm dahi olsa payla\u015fmay\u0131, \u00f6lecekken bile bir \u015fiir \u00fczre lak\u0131rd\u0131da bulunup bademci Salihi beklemeyi \u00f6\u011fretiyor.<\/p>\n\n\n\n