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{"id":4224,"date":"2022-02-16T18:20:02","date_gmt":"2022-02-16T18:20:02","guid":{"rendered":"https:\/\/teletekstdergi.com\/?p=4224"},"modified":"2022-02-16T18:20:02","modified_gmt":"2022-02-16T18:20:02","slug":"sarmasik2015-film-incelemesi","status":"publish","type":"post","link":"https:\/\/teletekstdergi.com\/sarmasik2015-film-incelemesi\/","title":{"rendered":"SARMA\u015eIK(2015) F\u0130LM \u0130NCELEMES\u0130"},"content":{"rendered":"\n

2015 Yap\u0131m\u0131 Sarma\u015f\u0131k filmi Afrika k\u0131tas\u0131na gitmekte olan bir geminin sahibi olan armat\u00f6r\u00fcn iflas bayra\u011f\u0131n\u0131 \u00e7ekmesinin ard\u0131ndan d\u0131\u015far\u0131daki hayatlar\u0131nda da maddi ve manevi problemleri bulunan gemi m\u00fcrettebat\u0131nda g\u00f6rev almakta olan 6 ki\u015finin gemide kalmalar\u0131 gerekmektedir. \u00c7\u00fcnk\u00fc deniz hukukunda yer alan kanunlar m\u00fcrettebat\u0131 gemide kalmaya mecbur b\u0131rakmaktad\u0131r ve bu durumdan dolay\u0131 hi\u00e7bir yere hareket edememektedirler. 5 gemi personeli ve bir de kaptandan olu\u015fmakta olan 6 ki\u015filik bir m\u00fcrettebat ekibinin uzun ve stresli bekleyi\u015f s\u00fcreci boyunca girecekleri hiyerar\u015fik g\u00fc\u00e7 m\u00fccadelesini ve psikolojik y\u0131pranmalar\u0131n\u0131 ele almaktad\u0131r.(Sinemalar.com)<\/p>\n\n\n\n

IMDB Puan\u0131:8.0\/10<\/p>\n\n\n\n

Size belki biraz abart\u0131yorum gibi gelebilir ama bunu s\u00f6ylemeden de incelemeye ba\u015flamak  pekte i\u00e7ime sinmeyecek do\u011frusu. 2015 Yap\u0131m\u0131 Sarma\u015f\u0131k filmi  bizlere 6 gemi m\u00fcrettebat\u0131n\u0131n aralar\u0131ndaki hiyerar\u015fik g\u00fc\u00e7 m\u00fccadelesi \u00fczerinden son derece iyi bir hikaye anlatarak sinemam\u0131z\u0131n son 10 y\u0131l\u0131 boyunca yap\u0131lm\u0131\u015f olan en kaliteli yap\u0131mlar\u0131ndan biri olmay\u0131 ba\u015far\u0131yor. Filmde kullan\u0131lan diyaloglardan baz\u0131lar\u0131 izleyiciye rahats\u0131zl\u0131k veren t\u00fcrde diyaloglar olsa da, film bizlere 6 gemicinin aras\u0131ndaki hiyerar\u015fik g\u00fc\u00e7 m\u00fccadelesi \u00fczerinden sundu\u011fu delilikte bulu\u015fan insanlar olgusu sayesinde b\u00fct\u00fcn a\u00e7\u0131klar\u0131n\u0131 kapatan bir yap\u0131m olmay\u0131 fazlas\u0131yla ba\u015far\u0131yor. \u015eimdi dilerseniz filmin pozitif ve negatif y\u00f6nlerini ele alarak incelememize devam edebiliriz.<\/p>\n\n\n\n

Filmin Pozitif Y\u00f6nleri<\/h2>\n\n\n\n

\u00d6ncelikle film boyunca en be\u011fendi\u011fim noktalardan biri y\u00f6netmen Tolga Kara\u00e7elik\u2019in karakterlerin hiyerar\u015fik g\u00fc\u00e7 m\u00fccadelesi  \u00fczerinden konumland\u0131rd\u0131\u011f\u0131 ideolojik alt metin. Tolga Kara\u00e7elik b\u00fct\u00fcn yap\u0131m boyunca filmde yer alan karakterler \u00fczerinden bizlere iktidar, iktidar yanl\u0131lar\u0131 ve muhaliflerin \u00e7at\u0131\u015fmas\u0131n\u0131 yans\u0131tmakta.  Tolga Kara\u00e7elik\u2019in film boyunca g\u00f6r\u00fcnt\u00fc y\u00f6netmeni G\u00f6khan Tiryaki’yle birlikte \u00e7\u00f6zd\u00fckleri estetik kamera a\u00e7\u0131lar\u0131 filmin hissiyat\u0131n\u0131 bize son derece iyi bir \u015fekilde yans\u0131tt\u0131. Filmdeki bo\u011fulma s\u0131k\u0131lma ve gerilme duygular\u0131 bu a\u00e7\u0131larla beraber desteklenen m\u00fczikler sayesinde izleyiciye de sanki o gemide mahsur kalm\u0131\u015f hissiyat\u0131n\u0131 vermekte. Oyuncular\u0131n ise senaryoya hakimiyetleri ve karakter \u00e7\u00f6z\u00fcmlemelerini iyi yapm\u0131\u015f olmalar\u0131 sayesinde film daha da vurucu bir hal almaktad\u0131r. Film 3 ana b\u00f6l\u00fcmden olu\u015fan  epizodik bir anlat\u0131m yap\u0131s\u0131na sahiptir. Bunlardan ilki \u00e7at\u0131\u015fma, ikincisi delirme, \u00fc\u00e7\u00fcnc\u00fcs\u00fc ise uzla\u015fma olarak filmin anlat\u0131m\u0131nda yer almaktad\u0131r.<\/p>\n\n\n\n

1.\u00c7at\u0131\u015fma  Olgusu<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Filmin ilk yar\u0131s\u0131n\u0131n ortalar\u0131nda yer alan bu sahne bizlere, kraldan \u00e7ok kralc\u0131 olan \u0130smail karakteriyle, filmin en ba\u015f\u0131ndan beri anar\u015fist fig\u00fcrler sergilemekte olan Cenk karakterinin, ilk ger\u00e7ek \u00e7at\u0131\u015fmas\u0131n\u0131 sahnede yer alan kaliteli diyaloglar ve karakterlerin birbirlerine kar\u015f\u0131 saklad\u0131klar\u0131 gizli nefretlerini hal ve tav\u0131rlar\u0131yla daha da net bir bi\u00e7imde bize aktar\u0131yorlar.<\/p>\n\n\n\n

2.Delirme Olgusu<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Filmde a\u00e7\u0131k\u00e7a iki pakt g\u00f6r\u00fcyoruz. \u0130lk pakt iktidara yani beybabaya  s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131 tutucu ve muhafazakar cenah\u0131 temsil eden \u0130smail ve \u0130smail\u2019e nazaran daha orta yolcu ama itaatkar Nadir pakt\u0131 di\u011ferpakt ise anar\u015fist Cenk ve onun Cenk\u2019e g\u00f6re daha \u0131l\u0131man olan Alper pakt\u0131d\u0131r. Bu sahnede iki grubun \u015fiddetli bir kar\u015f\u0131la\u015fmas\u0131n\u0131 izliyoruz. Zaman i\u00e7inde Cenk ve Alper\u2019in sorgulamac\u0131 zihniyetinin yumu\u015fak bir ge\u00e7i\u015fle aralar\u0131na kat\u0131lan Nadir\u2019in iktidar taraf\u0131ndan daha da bask\u0131lanaca\u011f\u0131n\u0131 g\u00f6rece\u011fiz.<\/p>\n\n\n\n

2.1 Delirme olgusu<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u00d6ncelikle iki grup aras\u0131nda \u00e7at\u0131\u015fmalar artarak devam etmektedir, Psikolojik olarak t\u00fckenme karakterlerin y\u0131pranmas\u0131na ve hayattaki u\u00e7 noktalara mental anlamda dayanmalar\u0131n\u0131 sa\u011fl\u0131yor. Salyangoz cinneti temsilen bu sahnede bizi bir yere g\u00f6t\u00fcr\u00fcyor. \u0130ki grup aras\u0131ndaki \u00e7at\u0131\u015fmalar iki gruba da dahil olmayan K\u00fcrt karakterinin \u00f6l\u00fcm\u00fcne sebebiyet vermektedir. \u0130lk cinnet an\u0131nda bir T\u00fcrkiye projeksiyonu yapacak olursak iki grup birbirini hi\u00e7 sevmese de gemiden ilk at\u0131lan, kriz an\u0131nda metaforik olarak az\u0131nl\u0131\u011f\u0131 temsil eden K\u00fcrt karakteri oluyor. K\u00fcrt karakterinin katledilmesinin vicdan azab\u0131 karakterlerimizin delirmesine sebebiyet veriyor.<\/p>\n\n\n\n

3.Uzla\u015fma Olgusu<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Muhafazakar, orta yolcu ve anar\u015fist karakterler s\u0131rayla iktidar taraf\u0131ndan  (Bu da simgesel olarak \u2018\u2019beybaba karakteri\u2019\u2019) taraf\u0131ndan zorbal\u0131\u011fa maruz kal\u0131yor. Filmde de bu zorbal\u0131klar delirme olgusu olarak v\u00fccut bulmaktad\u0131r. En son anda iktidar\u0131nda bir \u015fekilde m\u00fcrettebata g\u00f6stermeden durumun k\u00f6t\u00fcl\u00fc\u011f\u00fcn\u00fc ve k\u00f6r d\u00fc\u011f\u00fcm olu\u015funu kabul etti\u011fini g\u00f6r\u00fcyoruz. Ve beybaba karakteri kamaras\u0131nda otoritesini kaybetmi\u015f bir \u015fekilde saklanmaktad\u0131r ve bu durum ak\u0131llara \u015fu s\u00f6z\u00fc getirmektedir; \u2018\u2019 Kaptan a\u00e7\u0131k denizde f\u0131rt\u0131nadan \u00e7ok isyandan korkar.\u2019\u2019 \u0130syan\u0131n g\u00fcc\u00fc finalde farkl\u0131 g\u00f6r\u00fc\u015flere sahip insanlar\u0131 iktidara kar\u015f\u0131 ortak bir harekette birle\u015ftirmi\u015ftir. Filmin pozitif y\u00f6nleri bu \u015fekildeydi \u015fimdi dilerseniz filmin negatif y\u00f6nlerine de k\u0131saca de\u011finelim.<\/p>\n\n\n\n

2.Filmin Negatif Y\u00f6nleri<\/h2>\n\n\n\n

\u00d6ncelikle filmin en \u00f6nemli negatif y\u00f6nlerinden biri y\u00f6netmenin m\u00fcrettebat\u0131n gemi de ge\u00e7irdi\u011fi s\u00fcrenin uzunlu\u011funu bize filmde tam anlam\u0131yla hissettirememesidir. Filmde ak\u0131\u015f i\u00e7erisinde karakterlerin \u00e7ok \u00e7abuk psikolojik y\u0131pranma ya\u015fad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz. Bu anlat\u0131mla izleyici zaman i\u00e7erisindeki \u00e7\u00f6z\u00fclmeyi tam olarak alg\u0131layam\u0131yor.<\/p>\n\n\n\n

Karakterler aras\u0131ndaki ili\u015fkiler \u00e7abuk kuruluyor, \u00e7at\u0131\u015fmalar ve bar\u0131\u015fmalar h\u0131zl\u0131 cereyan ediyor. Son olarak tak\u0131ld\u0131\u011f\u0131m ufak noktalardan biri de filmde kullan\u0131lan eril dil ve baya\u011f\u0131la\u015fan k\u00fcf\u00fcrler olarak \u00f6ne \u00e7\u0131kmaktad\u0131r. Fakat film hiyerar\u015fik m\u00fccadele hikayesi \u00fczerinden bizlere sundu\u011fu delilikte bulu\u015fan insanlar olgusu sayesinde b\u00fct\u00fcn a\u00e7\u0131klar\u0131n\u0131 kapatmay\u0131 ba\u015fararak sinemam\u0131zdaki kaliteli yap\u0131mlar aras\u0131nda yerini almay\u0131 ba\u015far\u0131yor. Bu nedenle izlemeye de\u011fer.<\/p>\n\n\n\n

Puan\u0131m: 8.3\/10<\/p>\n\n\n\n

KAYNAK\u00c7A<\/h2>\n\n\n\n

Film<\/p>\n\n\n\n

Tolga Kara\u00e7elik(Y\u00f6netmen\/Senaryo Yazar\u0131) (2015) Sarma\u015f\u0131k<\/em>(film). T\u00fcrkiye: Kara\u00e7elik Film<\/p>\n\n\n\n

Tan\u0131t\u0131m Yaz\u0131lar\u0131<\/p>\n\n\n\n

Sarma\u015f\u0131k( 2015, 4 Aral\u0131k) Sarma\u015f\u0131k filmi k\u0131sa konu yaz\u0131s\u0131 sinemalar.com<\/p>\n\n\n\n

https:\/\/www.sinemalar.com\/film\/230945\/sarmasik<\/a><\/p>\n\n\n\n

https:\/\/www.imdb.com\/<\/a><\/p>\n\n\n\n

Foto\u011fraflar<\/p>\n\n\n\n

Tolga Kara\u00e7elik(Y\u00f6netmen\/Senaryo Yazar\u0131) (2015) Sarma\u015f\u0131k (film) T\u00fcrkiye:Kara\u00e7elik Film<\/p>\n\n\n\n

Bedragos\/Youtube<\/p>\n","protected":false},"excerpt":{"rendered":"

2015 Yap\u0131m\u0131 Sarma\u015f\u0131k filmi Afrika k\u0131tas\u0131na gitmekte olan bir geminin sahibi olan armat\u00f6r\u00fcn iflas ba\u2026<\/div>","protected":false},"author":24,"featured_media":4234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-4224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inceleme"],"_links":{"self":[{"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/posts\/4224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/comments?post=4224"}],"version-history":[{"count":0,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/posts\/4224\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/media\/4234"}],"wp:attachment":[{"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/media?parent=4224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/categories?post=4224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teletekstdergi.com\/wp-json\/wp\/v2\/tags?post=4224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}